‘Don’ Azpiazu, Laura May’s uncle, was a Cuban orchestra leader credited with the explosive introduction of Latin Music to America.
One Saturday afternoon in April 1930, the curtain rose on New York’s Palace Theater and the course of Latin music in the United States was changed.
Cuba had already become a popular destination for Americans during Prohibition in the 1920s, and ties with New York were particularly strong. Many influential New York bands regularly played in Havana, and in 1930 Cuban ensemble Don Azpiazu and His Havana Casino Orchestra ‘traveled to New York and recorded “The Peanut Vendor.” It became the first Cuban record to sell more than a million copies and kick-started a Cuban music craze. Cuban and American music have continued to influence each other ever since.
The Peanut Vendor”, a pregón (a song based on a street vendor’s cry) was performed in the son style, which combines Spanish guitar and song structure with African rhythms and percussion.
Milestone Recordings in American Music | Three Perfect Minutes: So Sweet (1930)
Don Azpiazu’s The Peanut Vendor, with its authentically Cuban arrangement, opened the floodgates to other Cuban orchestras and paved the way for future “Latin” celebrities like Xavier Cugat and Desi Arnaz. He demonstrated the enormous commercial potential of Cuban music not only in the U.S., but started a Latin craze in Europe as well.
Playing their most famous song ‘El Manicero’ (The Peanut Vendor) with Antonio Machín
His debut marked the beginning of the popularity of the “rumba” and what may be the earliest introduction of Salsa heard on Broadway. Playing with maraccas, claves, guiros, bongos and timbales, Cuban dance music was now embraced in the U.S.
Don Azpiazu fused stylistic components derived from Afrocuban traditions with ragtime, vaudeville music, and early jazz to create “acceptable” versions of “typical Cuban music” in the States. Not only did he have an impact on how other ethnic groups viewed Cuba, but also on how Cubans viewed themselves. As the world embraced the Afrocuban genres that the middle class Cubans had once been ashamed of, they were now forced to re-evaluate their prejudices against the “devils” music and accept them as legitimate national expression.
Fun facts:
– In the 20’s, Azpiazu debuted at the Almendares Hotel in Cuba, a five-star hotel catering to the wealthy like the Morgans and Duponts
– Despite “doom” predictions by Guy Lombardo and Walter Winchell, “The Peanut Vendor” was a colossal success
– Will Rogers wrote “One thing about this peanut vendor song, it’s popular but you don’t know how it goes till you hear it. Nobody can whistle it, that’s what makes it the greatest bit of music during our time.”
– Vicente Sigler, a Cuban musician, was in New York and performing in the 20’s (before Don Azpiazu) but had to remain low-key until his immigration status was cleared-up.
Early recordings of Don Azpiazu Band – 1933
Recorded in 1931, enjoy Marianna and these scenes of early Havana. Vocal by Bob Burk.
“Foremost exponent of the rhumba”. Don Aspiazu – La Havane 1933
Don Azpiazu and Casino de La Habana orchestra: La Ruñidera
‘Don’ Azpiazú, my uncle, was a leading Cuban bandleader in the 1920s and 30s. His band introduced authentic Cuban dance music and Cuban musical instruments to a wide audience in the USA and recorded one of the biggest hits in Cuban music history, the Peanut Vendor.
My mother, May McKim, was a performer who shared the bill with the greats of the time including Ethel Merman and Martha Raye.
My father married former Ziegfeld girl Marion Sunshine. A famous vaudeville actress, singer and composer, together they made musical history.
Marion was a canny songwriter who became known as “The Rumba Lady”. Her songwriting credits are vast.
My father’s band, Antobal’s Cubans, included some of the hottest Latin session men in New York at the time such as Alberto Socarrás.
Born in New York City and raised in West Africa, Laura-May Azpiazu has music in her blood.
Her uncle, ‘Don’ Azpiazu, was a Cuban orchestra leader credited with the explosive introduction of Latin Music to America and Europe. Her father, Eusebio Azipiazu (aka Mario Antobal) was a music publisher and managed her uncle’s musical career. Her mother, May McKim, was a chanteuse in the supper clubs and society orchestras of the 1930s and her stepmother, Marion Sunshine was a Vaudevillian star, musical comedy actress and well known songwriter.
Laura-May’s songwriting career was not only written in the stars, but in her DNA. When others were learning how to read and write their ABC’s, she was learning how to read and write music. With her Latin heritage, tangos and salsas call to her but she writes for all styles including jazz, instrumental, country and Christmas.
Laura-May’s Songwriting
Listen to Laura-May’s Music
Listen Laura-May’s Film Noir-The Musical, winner of the 2011 Hawaii Music Awards and access the script.
She now resides in Hawaii with her artist husband Hank Taufaasau. They own two evening hot spots in downtown Honolulu; Hanks Cafe and The Dragon Upstairs where jazz and contemporary music are featured in the artistic atmosphere of Chinatown. Living in paradise has inspired her to write world music as well.
Hank’s Art
Hanks Cafe
The Dragon Upstairs
I was fortunate to be born into a proud musical heritage: a great grandfather who two centuries ago performed for a Queen; an uncle who is credited in all Latin American history books with the explosive introduction of Cuban music into America and Europe; a cousin, whose career in music has led him to perform at Presidential Inaugurations and command appearances before royalty (as well as composing and recording); my music publisher father who also organized an elite group of musicians whose limited recordings are much sought after by today’s collectors; my stepmother, who enjoyed an extraordinary career in Vaudeville and musical theater (and many silent films with the likes of Mary Pickford), as well as being a most successful and prolific songwriter; my mother, a dazzling chanteuse; and even a brother-in-law who was a renowned symphony conductor.
Family Heritage
Against this background, I struggle valiantly to “hold my own”, and be deemed a worthy heir to their legacy. (And I’m pretty well satisfied that wherever in the cosmos they may be, they are approving, if not actually pulling strings on my behalf!)
I write songs, I’m not a musician or a performer, so I’ve been very lucky to be able to ‘package’ my songs with the talents of wonderful musicians, vocalists, and a really great recording engineer. The results have been well received by reviewers and public alike.
Songwriting is a particularly satisfying profession if you love the infinite variety of language, but are not a novelist. And if you’re not a musician? You can always hum or whistle a memorable melody. But, it is a skill, and in a well-crafted song, lyrics and music must be partnered intelligently. The direction of my songwriting has been influenced by my own preferences, not by trends; but I would welcome collaborating on any sort of project, rap included.
Here are samples of some favorites:
Not only is LM a songwriter, but she has authored multiple stories and verse. Enjoy!
Randomly Writ
Turbulent currents of conflicted human passions! (etc. etc. etc.) |
Random Whimsy
Declassified documents exposing… |
Random Acts of Composition
A unique and unconventional short story and verse collection. Author LM Azpiazu, in her distinctive style, has put together an unorthodox mix that will surely appeal to a variety of readers. |
Sherlock Holmes Tweets! and other Holmes/Watson Breaking News
Eight humorous short stories involving Holmes and Watson. |
The Trumpeting Out of a Grim Fairy Tale
In The Beginning….. there was Trump’s grievous harangue about inaugural day spectator numbers. At the end….. there was Trump’s grievous harangue about election day voter numbers. In the intervening four years….. Well, just tune into “A Grim Fairy Tale’s” YouTube footnotes, and watch and listen to the man yourself. |
Nanny in the Nursery
“Nanny in the Nursery” is an eclectic assortment of verse and prose that offers a chance to: play with fairies, laugh at nonsense rhymes, reflect on character and manners, sing some new songs, and even write your own solution to an exciting mystery. |
The Christmas tree is twinkling, the gingerbread is baking—it’s a perfect time for Christmas coziness. Journey with the Hawaiian Christmas Mouse as he “talks story” with some of the fabled creatures in Hawaii, and shares his Christmas activities in a family sing-a-long. Available in both paperback and hardcover on Amazon. |
The Hawaiian Christmas Mouse – Hawaii This story is a new classic to be shared with the keiki (and the rest of the family) during the holidays or as an ideal Christmas gift. Inspired by a catchy Christmas song written by songwriter Laura-May Azpiazu Taufaasau, which is included on a CD in the front of the book. The original artwork, created by popular local artist and owner of the famed jazz nightclub Hank’s Place, Hank Taufaasu makes readers feel as though they are reading a story from their own Christmas past. The artwork is inspired by family traditions common around the islands during holiday time and is central to the rhyming story. |
Calling all storytellers to write along! Join Lora Krafty’s Adventure of the Lava Tube, where she hopes you’ll have fun solving the mystery of that adventure to your own creative satisfaction. (And share it with your friends!) |
These are the “storyboards” for a short animated film wherein LM Azpiazu proves that Ravel’s “Bolero” should have been entitled “Caravan”. |
Join Laura May on Facebook and Twitter where she talks about what is happening in music today and shares her memories of what it was like growing up around the greats. Talking about all genres of music and the art of songwriting, she also shares songwriting tips, industry news, the latest songwriting contests and more. Let’s get social!
Tweets by @lauramayazpiazu |